Analysis of An Enemy of the People: Arthur Miller’s Adaptation

The amazing content about Analysis of An Enemy of the People: Arthur Miller’s Adaptation proves essential. People can get vital information about analyzing the Arthur Miller’s adaptation of Henrik Ibsen’s play An Enemy of the People. thus, you need to analyze the play and its characters both aesthetically and ethically.

Analysis of An Enemy of the People: Arthur Miller’s Adaptation

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For this assignment, you need to read Arthur Miller’s adaptation of Henrik Ibsen’s play An Enemy of the People. You can find a free pdf of the play here: http://www.cis.dk/uploaded/student_life/drama/enemy/enemy_miller.pdf. For this paper, I want you to analyze the play and its characters both aesthetically and ethically. Aesthetically, I will be asking you to compare this play to the criteria your book establishes for a work of Realism. Please note that I am not talking about the very general way that we use the word in our everyday life.

Also, about the standards of a specific artistic outlook. Ethically, I am asking you to apply the Moral Foundations theory we discuss in class to at least two of the characters in the play. To keep everyone on the same page for this assignment (and to streamline grading). I offer a format below for how I would like you to structure your essay. Keep in mind that you are still responsible for writing a cohesive paper. Thus, that someone could read without knowing what I am asking and still understand it as a coherent whole.

Analysis of An Enemy of the People: Arthur Miller’s Adaptation

In other words, do not turn in a series of disjointed paragraphs that answer each of these prompts in order, but don’t really “go together.” First paragraph: What do you think this play achieves? Do not focus on quality judgments–avoid words like “masterpiece” or “groundbreaking.” And do not tell me whether you liked the play or not. So, the purpose of analysis is not to judge a play as good or bad, but to understand it. Focus instead on the author’s “aesthetic intent,” as your book describes. What do you think the playwright hoped to achieve by combining this issue with this style? 

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