Is there a way to align the motivations of the different actors present in Radhakrishan (2015) or other similar situations?
In the conclusion, Pon (2009) suggests that it is better to focus on HOW you form knowledge about “others” instead of trying to learn as much as you can about “others” and their cultures. Do you agree? What do you think that could look like?
In the global economy, who benefits from the construction of the cultural “other” and why?
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